At its core, For the Wild at Heart essentially plays like an experimental album in which the band utilized a different singer and did away with the peaceful post-metal passages almost entirely. Reap.Īssuming your context receptors weren’t damaged by the hypnosis, you’ve likely gathered that CLEARxCUT sound a lot like King Apathy. I didn’t give a second thought to axioms or the faint sound of Treble Yell chuckling sinisterly in the background, I just gathered up the fruits of my wishes and ran faster than you can say “monkey’s paw.” Presume what you will, but my unsurpassed hypnotic prowess already has you trapped here, making what I have sewn yours to harvest as well.
It’s not exactly a secret that I hate you humanity and love King Apathy, so when I was presented with the opportunity to review the debut act of a band featuring Matthias S of King Apathy and ascribing to the same neo Cattle Decapitation lyrical teachings, it should come to roughly no one’s surprise that I squealed like a mildly surprised Kenword jumped at the chance to do so.
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